Clement Virgo discusses his latest film, “Steal Away,” with a mix of excitement and nervousness, despite his impressive directing background in acclaimed TV series like “The Wire” and award-winning films such as “The Book of Negroes” and “Brother.” As the movie hits theaters this Friday, Virgo admits to feeling uncertain about how it will be received by a broader audience.

Collaborating with his wife, author Tamara Faith Berger, Virgo crafted a futuristic interpretation of the Underground Railroad story in “Steal Away.” Moving away from traditional narratives, the film explores a fictional world where past and future collide, focusing on characters Cécile and Fanny in a setting that blends modern and historical elements.

Avoiding stereotypical portrayals of Black futures, Virgo delves into themes of coming-of-age, thriller, horror, and Afrofuturism in a visually striking and complex narrative. Through elaborate costumes and hints of a powerful Black-led society, the film challenges conventional perceptions of time and power dynamics, drawing parallels between historical events and contemporary issues.

Amidst the intricate storyline, Virgo questions the notion of progress and its permanence, reflecting on the cyclical nature of history and societal advancements. While acknowledging the challenging nature of the film, Virgo remains hopeful, emphasizing the importance of perseverance and resilience in shaping a better future.

In a departure from his usual filmmaking approach, “Steal Away” marks a shift in Virgo’s perspective, prompting audiences to ponder the enduring legacy of progress and the collective responsibility to drive positive change.